The best books to read if you love old black-and-white movies

As perfectly tragic as one of his Jazz Age characters, Fitzgerald drank himself to death before finishing this novel which in my opinion, could have been his best. Like Gatsby, Monroe Stahr is an eloquent, rich, and isolated character, pining for a mysterious woman. He is a hugely successful movie mogul in the golden age of Hollywood, and Fitzgerald’s contempt for the studio system’s treatment of writers is here on full satirical display. The sparse prose sparkles with diamond-like harshness and clarity as the doomed love affair plays out. I’m sure it's his least known novel since it is technically “unfinished,” but most editions publish Fitzgerald’s unfinished future chapters, his pass at the ending as well as his notes and outlines, making this a master class in novel writing.

John O’Hara’s name should be spoken in the same breath as Fitzgerald, Steinbeck, and Hemingway. Maybe it isn’t, because he never had that one homerun book that stood out in the canon, like a Gatsby or a Grapes of Wrath. Though I think Butterfield 8 and Appointment in Samara stand up to either of the above, I have chosen this collection of short stories. He wrote more short stories for the New Yorker than anyone ever did and is credited with inventing that particular style that the periodical became known for. Each of these stories – all short and fast as an uppercut – shows the flawed humanity striving in the city from the 30s to the 60s – from ad men to secretaries, to bums and soda jerks. With his trademark crackling dialogue, this collection of gritty Americana will leave you feeling like you are standing in an Edward Hopper painting.

Dawn Powell is one of the most overlooked literary figures in America from this time. Her acid wit (and gender) immediately begs comparison to Dorothy Parker. A New Yorker transplanted from Ohio, she wrote many plays and novels from the 30s to the 60s. Wicked Pavilion was published in 1954 and is a delicious satire of a group of artists who frequent a small bistro near Washington Square Park – hard-drinking writers, poets, and painters. It features a hilarious subplot of a painter who stages his own death so the value of his paintings will increase. The antidote to Henry James, Dawn Powell writes like Edith Wharton on laughing gas.

Mitchell chronicled life in New York City during the Great Depression and beyond. His stories of the colorful and fragile lives on the fringes of oblivion are unforgettable. This is one book I return to over and over again and I always find more to love in his prose and the lives that were being lived when the city was populated by people living from one meal to the next. Most of the book consists of tales of the characters down on the old Seaport – the oyster fishermen – Sloppy Louie, and most famously Joe Gould – a homeless man who spent his life writing his magnum opus history project. The novella McSorley's Wonderful Old Saloon is another Mitchell classic – the story of the man who opened and ran what today is one of the oldest – still open – bars in the U.S. You can feel Mitchell practically aching with love for the subjects of his stories. This collection is at once a time capsule and a chronicle of the human condition.

I chose this book because it is, I am almost sure, the least known of the bunch, in a list that I admit champions some lesser-known giants of American literature from the last century and a style that influenced me as a writer. But what Dos Passos does with this novel stands apart. An experimental novel when it was published in 1925 Dos Passos jumps back and forth between the narratives of his disparate characters – from bankers to soldiers - creating a pastiche of life in the 1920s and in New York in particular that is raw and harsh at times in its critique of the greedy capitalistic country we were becoming.

What strikes me most about this hundred-year-old book, is how starkly modern it seems today.